Just went through this thread. Some really nice axes! And to TB, all of my builds have RS electronics. And all but two of the "off the shelf" guitars have been rewired with RS electronics.
In case anyone was wondering about the "3/4 stack," it's a Peavey JSX 2x12 combo and 4x12 cabinet. I've never been huge on signature models. When I bought the combo, I was actually trying out Marshalls to replace my old 25 watt DSL 1x12. For grins, I tried out the JSX. I could get every tone out of this that I could get out of the Marshall, from blues to metal. But the clean channel is what totally blew me away. Not that hollow clean that Marshalls have, but Fender twin clean. Crisp, articulate, and full. Bought the 2x12 combo. Later, I wanted that deep punch that you can only get with a 4x12 cab. Tried out a few Marshalls with a JSX head. Then tried the JSX cab. Massive deep punch and full tone.
Here are some closeups of a couple of my favorites. Warmoth "VIP," which obviously is their take on the PRS. Black Korina body with a Camphor Burl arch top, Zebrawood neck, and black ebony fingerboard. Stainless steel 6100 frets. Bridge pickup is an original 1980's DiMarzio MegaDrive and I put a Sustainiac in the neck slot. Original Floyd with a brass sustain block. Bungle in the jungle, anyone?
I love this Warmoth Strat. Swamp Ash body, flame maple neck and fingerboard. Bridge pickup is a DiMarzio Tone Zone and the neck is a 36th Anniversary PAF.
This is my take on a Rhoads V. The guys at Warmoth went nuts on this thing after I custom ordered the body and neck. Swamp Ash body, Padouk neck, and Canary fingerboard. Seymour Duncan Invader.
Finally, since TB posted up his blues axe, here is mine. Black Korina body, Wenge neck and Ebony fingerboard, Rio Grande pickups (Vintage Tallboy neck, Dirty Harry Jr., mid, and Muy Grande bridge), and Wilkinson trem. The only way to describe the tone out of this thing is howling!